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Elizabeth Karani

Soprano

Elizabeth Karani began her studies at the Royal Northern College of Music and where she won the Elizabeth Harwood prize, the Dame Eva Turner Award and the Elsie Thurston Award, before postgraduate study at the Guildhall School of Music and Drama.  She is a former Park Lane Young Artist, was an inaugural Equilibrium Young Artist, and is an alumna of the National Opera Studio.

Elizabeth’s many operatic projects include her Royal Opera House debut as Nanna/Embla in the premiere of The Monstrous Child, her debut with Grange Park Opera as Jahanara in the world premiere of Nishat Khan’s Taj Mahal, Amy in the British premiere of Mark Adamo's Little Women, Pamina in the world premiere of Damon Albarn’s The Magic Flute II: The Curse at the Lido in Paris, Norina Don Pasquale in the UK, France and South Africa with Diva Opera, Musetta La bohème, Susanna Le nozze di Figaro, and Galatea Acis & Galatea (all for Opera Holland Park), Gretel Hänsel und Gretel (ENO and Regent’s Park), and Gismonda Ottone, Drusilla L'incoronazione di Poppea and Female Chorus The Rape of Lucretia (all for English Touring Opera).

Elizabeth’s future plans include returns to Opera Holland Park as Despina Cosi fan tutte, a return to the Buxton International Festival for her role debut as Valencienne The Merry Widow, and her house and role debut as Miss Jessel TheTurn of the Screw at the Opéra de Lausanne and at the Opéra de Toulon.

Her other eclectic roles include Isabella L'inganno felice for West Green House Opera, Rutilia Lucio Papirio Dittatore with the Buxton International Festival and La Serenissima, Rosalinde Die Fledermaus and Berta Il barbiere de Siviglia for Diva Opera, Tatyana Eugene Onegin for Mid Wales Opera and Cino in Vivaldi’s Teuzzone for La Serenissima.  Her other stage appearances include Female Chorus The Rape of Lucretia, Helena A Midsummer Night’s Dream and both Frasquita and Micaëla Carmen.

Elizabeth has also sung Jano Jenufa for Longborough Festival Opera, Jay The Cunning Little Vixen for Garsington Opera, Tartaglione in Jonathan Dove’s The Little Green Swallow, Angel Jephtha (with Harry Christophers), plus Eleanora Le Donne Curiose, Atalanta Xerses, Armande in Martinu’s Alexandre Bis, Orestes La Belle Hélène, La Chauve-Souris L’enfant et les sortilèges, and Suor Genovieffa Suor Angelica.

Highlights on the concert platform include Mozart Requiem with the Munich Philharmonic Orchestra, conducted by Barbara Hannigan, Handel Solomon for the Musique Cordiale International Festival, Mozart Exsultate Jubilate with the London Mozart Players, and Mahler Symphony No. 2 with the Sheffield Symphony Orchestra.

La soprano anglaise Elizabeth Karani a terminé son cursus d'une année au National Opera Studio au Royaume-Uni en 2017. Elle avait auparavant achevé ses études au Royal Northern College of Music à Manchester, où elle s'est formée durant cinq années auprès de Susan Roper, et à la Guildhall à Londres avec Susan McCulloch.

Parmi ses nombreux projets scéniques, ses débuts à Covent Garden pour Nanna/Embla lors de la création de The Monstrous Child, ses débuts au Grange Park Opera dans Jahanara pour la création de Taj Mahal de Nishat Khan, Amy pour la création britannique de Little Women de Mark Adamo, Pamina pour la création mondiale de The Magic Flute II: The Curse de Damon Albarn au Lido à Paris, Norina Don Pasquale en tournée au Royaume-Uni, en France et en Afrique du Sud avec Diva Opera, Musetta La bohème, Susanna Le nozze di Figaro, et Galatea Acis & Galatea (tous trois pour Opera Holland Park), Gretel Hänsel und Gretel (ENO et Regent’s Park), ainsi que Gismonda Ottone, Drusilla L'incoronazione di Poppea et Female Chorus The Rape of Lucretia (tous trois pour l'English Touring Opera).

Sa saison 25-26 verra son retour à Opera Holland Park pour Despina Così fan tutte, à Buxton pour sa prise du rôle de Valencienne La Veuve Joyeuse et sa saison 26-27 ses débuts aux opéras de Lausanne et de Toulon dans Miss Jessel The Turn of the Screw.

Parmi les rôles de son répertoire éclectique, Isabella L'inganno felice pour le West Green House Opera, Rutilia Lucio Papirio Dittatore au Buxton International Festival et l’ensemble La Serenissima, Rosalinde Die Fledermaus et Berta Il barbiere di  Siviglia pour Diva Opera, Tatyana Eugène Oneguine pour le Mid Wales Opera et Cino dans Teuzzone de Vivaldi pour La Serenissima.

Elle a également chanté Jano Jenufa au Longborough Festival Opera, Jay La Petite Renarde Russée au Garsington Opera, Tartaglione The Little Green Swallow, Angel Jephtha (avec Harry Christophers), ainsi que le Female Chorus The Rape of Lucretia, Eleanora Le Donne Curiose, Atalanta Xerxes, Armande Alexandre Bis (Martinu), Frasquita Carmen, Oreste La belle Hélène, La Chauve-Souris L’enfant et les sortilèges, Helena A Midsummer Night’s Dream, Micaëla Carmen et Suor Genovieffa Suor Angelica.

En concert, elle a notamment chanté le Requiem de Mozart avec l'Orchestre Philharmonique de Munich, sous la direction de Barbara Hannigan, Solomon de Haendel pour le Festival International Musique Cordiale,  l'Exsultate Jubilate de Mozart avec les London Mozart Players, et la Deuxième Symphonie de Mahler avec le Sheffield Symphony Orchestra.

Review | Opera Today | Acis & Galatea | Opera Holland Park | 2024

“the pure-voiced Elizabeth Karani's suave phrasing (and perfectly in-tune singing) made her performance the stand-out of the evening..."

Review | The Guardian | Acis & Galatea | Opera Holland Park | 2024

“As Galatea, Elizabeth Karani possesses a fruitier soprano than is often cast in the role. Warm and flexible, she decorates the da capo sections imaginatively while plumbing the emotional depths in her concluding Heart, the seat of soft delight."

Review | Evening Standard | L'incoronazione di Poppea | English Touring Opera | 2023

“the most impressive performance from the Drusilla of Elizabeth Karani, silky-toned but with an edge of steel as she plots the murder of her rival…”

Review | The Stage | La bohème | Opera Holland Park | 2023

Elizabeth Karani gives an outstanding realisation of Musetta.”

Review | The Guardian | La bohème | Opera Holland Park | 2023

Karani makes a glamorous, wonderfully self-assured Musetta.”

Review | Opera Today | La bohème | Opera Holland Park | 2023

Elizabeth Karani‘s vibrant Musetta…Quando me’n vo’ was superb…a singer really able to hold the stage”

Review | Opera Today | Ottone | English Touring Opera | autumn 2022

“As the ruthless, conniving Gismonda, Elizabeth Karani was absolutely engaging from the first, leaving us in no doubt of her treacherousness and fire.  But, while one might recoil at such deviousness, Karani used her beautifully limpid tone to bring about a volte face in the listener’s response to Gismonda, through her wonderful rendition of the serene aria in which the distraught mother professes her love for her imprisoned son.”

Review | Planet Hugill | Ottone | English Touring Opera | 2022

Elizabeth Karani was mesmerising, great beauty of tone softening the edge of the character, but with Karani still keeping Gismonda’s wonderful killer instincts.”

Review | Musical America | Little Women | Opera Holland Park | 2022

Karani‘s Amy is delightfully petulant and endearingly vulnerably, and her fiery, yet silken soprano possesses an easily accessed upper register and bags of personality”

Review | The Sunday Times | Le nozze di Figaro | Opera Holland Park | 2021

Elizabeth Karani…establishes her star potential with a vividly acted, brightly sung performance crowned by an exquisitely phrased, tastefully decorated Act IV aria…”

Videos & Audio

What the critics say

“the pure-voiced Elizabeth Karani's suave phrasing made her performance the stand-out of the evening...”

Opera Today | Acis & Galatea | Opera Holland Park | 2024

“the most impressive performance from the Drusilla of Elizabeth Karani, silky-toned but with an edge of steel as she plots the murder of her rival…”

Evening Standard | L'incoronazione di Poppea / Drusilla | English Touring Opera | 2023

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