
Reviews | A Midsummer Night's Dream | ResMusica | Opéra de Lausanne 2024
“David Ireland (Bottom) stands out not only for the quality of his voice, but also for his sense of theatre. What stagecraft, what eloquence, what presence! A role tailor-made for him..."
“Dans se groupe, le baryton David Ireland (Bottom) se détache non seulement par la qualité de son instrument vocal mais encore par son sens du théâtre. Quel entregent, quelle faconde, quell présence ! Un rôle taillé pour lui ..."
Reviews | Le nozze di Figaro | The Arts Desk | Garsington Opera 2024
“David Ireland's Figaro out-lustred his master in the garden; the mock wooing had the most opulent bass-baritone richness, a voice in a thousand”
Reviews | Le nozze di Figaro | The Stage | Garsington Opera 2024
“David Ireland sings with animation, instilling his revenge aria Se vuol ballare with an alluring undercurrent of insidiousness”
Reviews | The Bartered Bride | Opera Magazine | Garsington Opera 2023
“David Ireland as Kecal took control of the drama from the start with impeccable, self-serving deviousness and some powerful singing. The two parental duos...were putty in his hands”
Reviews | The Bartered Bride | The Arts Desk | Garsington Opera 2023
“David Ireland is excellent as the marriage-broker Kecal, self-important, venal, everything nasty within a somehow likeable frame; his wonderful entry song, done here with superb panache [is] a gust of materialism blowing away the sentimental smoke”
Reviews | Guillaume Tell | BachTrack | Irish National Opera
“David Ireland’s warm bass-baritone voice made for a very satisfying Gesler. He gloated wonderfully, intoxicated with his power over the Swiss people, threatening them at every hand’s turn”
Reviews | Don Giovanni | Opera Magazine | Garsington Opera
“David Ireland's Leporello offered an object lesson in precise diction, was a constant source of vocal energy, and comprehensively nailed the Catalogue Aria”
